Showing posts with label war. Show all posts
Showing posts with label war. Show all posts

Wednesday, December 5, 2012

Our definition of war is pretty good as it is

Lt Col Jill Long, an Air Force officer and student at the Army War College, wrote "What is War? A New Point of View" that was published at the Small Wars Journal. In this piece, Long attempts to redefine war beyond our current understanding based in dictionaries and Clausewitz. She finds the existing definitions limited and finds an expanded is necessary because of today's "global society" and its resulting "[t]errorism and violent aggression by non-state actors."  Because of this, she posits that war is a spectrum beyond mere violence and rather a spectrum of states between peace and unrestricted armed conflict. She proposes a new definition: "War is the coherent execution of all means to bring about sufficient adherence to a nation's will in the international (global) arena; resulting in armed conflict only when all other means fail." This problematic and maximalist view of war and the reasoning behind the need for a change in our understanding of war requires some discussion.

This discussion, like any that attempts to define war, begins with Clausewitz (the dictionary definitions that Long provides are irrelevant here as they are not used by strategists and have limited meaning to us). It would be helpful to read Clausewitz's definition of war in total from Book One, Chapter 1 (from the Howard/Paret translation of On War even though I generally prefer the Graham translation - I seem to be in the minority on this point, so Howard/Paret it is):
I shall not begin by expounding a pedantic, literary definition of war, but go straight to the heart of the matter, to the duel. War is nothing but a duel on a larger scale. Countless duels go to make up war, but a picture of it as a whole can be formed by imagining a pair of wrestlers. Each tries to through physical force to compel the other to do his will; his immediate aim is to throw his opponent in order to make him incapable of further resistance.
War is thus an act of force to compel our enemy to do our will.
Force, to counter opposing force, equips itself with the inventions of art and science. Attached to force are certain self-imposed, imperceptible limitations hardly worth mentioning, known as international law and custom, but they scarcely weaken it. Force -- that is, physical force, for moral force has no existence save as expressed in the state and the law -- is thus the means of war; to impose our will on the enemy is its object. To secure that object we must render the enemy powerless; and that, in theory, is the true aim of warfare. That aim takes the place of the object, discarding it as something not actually part of war itself.
Italics are in the original.  Parenthetical comments aside (to be addressed in a moment), Clausewitz is quite clear on what war is: the use of force (I would probably use the term violence instead) as a means to achieve some political objective (from the discussion later in Chapter 1) that is the coherent statement of a group's will. One can infer that Clausewitz intends that acts of violence by political groups are war and that other non-violent acts by political groups are not war. Naturally for a treatise titled On War, Clausewitz provides almost no discussion of this latter set of actions, but based on comments throughout the rest of the book it seems he intends that political groups are at peace if they are not at war. But he does not expressly define peace as such.

Long says this is too limiting to modern war. War is, rather, "all means to bring about sufficient adherence to a nation's will." What would normally, but not doctrinally, be conceived as a spectrum from peace (if such a thing truly exists) to competition to conflict (non-violent) to war is, per Long's construct, really spectrum of war. She explicitly states that "world peace" (I am not sure why she included the descriptor "world" here) is an element of war, as are all political interactions up to and including "unrestricted armed conflict" (another phrase I am unsure of, but assume equates to total war). This is an extreme view of the state of human interactions to suggest that even when we are at peace we are at war. More importantly, this worldview is unhelpful in understanding war if war consists of every form of political activity. It is so comprehensive as to require specialization into the study of the many facets of war as to bring us right back to where we are today in understanding war. Further, what becomes of the study of warfare? Is the wielding of economic influence now to be considered an element of warfare? While economics can be corollary or complimentary to the conduct of war, it is by no means warfare itself. Philosophically, this combative worldview, if widely accepted, could only darken man's approach to political interactions - the last thing that should happen to the already stark interactions. For these reasons alone Long's definition should be abandoned.

Long fails to adequately describe how the world has changed or how the "Global Era" plays into this. She states that the terrorist attacks on September 11, 2001 have changed how we should perceive the world. It seems that the she believes that that day should have awakened Americans to the threat of non-state actors. Long also states that "'interconnected systems of trade, finance, information, and security' demand a larger perspective when considering the engagement of imposing national will on others." Both of these points are stated in defiance of history. Globalists enjoy selling the greatness and threats of our "interconnected systems" in the modern day, but that presumes that the world is newly interconnected. We know this is not true. Interconnection in today's world may be faster and easier, but it is not new. States and other political groups have interacted over the elements listed for millennia - look only to the period of global colonization to see how long we as humans have been at this. Long does not describe how today's globalization is unique and why that changes how we define war.

The issue of state versus non-state actors, as pertains to the definition of war, is a silly discussion. The idea that this new "globalization" has resulted in the rise of non-state actors is also historically inaccurate and is prima facie absurd.  Civil wars have raged as long as long as humans have fought wars (indeed, civil war comprise a significant proportion of the wars humans have fought). Who are these wars supposed to have been fought by if not by non-state actors? Insurgencies and terrorism are also not new to the 21st Century (or even the Common Era) and it would take a peculiar interpretation of history to argue otherwise.

It is important to note that in his definition, Clausewitz does not describe war as act of force between states. War is engaged between enemies as the means to achieve political objectives. Of course, political objectives are not the sole purview of states as many non-state groups have exhibited and Mao so logically codified. This is not to say that Clausewitz did not intend his definition and the rest of the book to discuss war between states in the best traditions of the post-Westphalian world. He clearly speaks of states throughout the book, as indicated in the parenthetical comment in his definition of war (I did say I would return to that point). But this does not limit On War solely to war between states as mean scholars have, most prominently historian John Keegan and strategist Martin van Creveld to name a couple. It does not take that large of a leap of thought to read On War and understand that states can be any organized political group, that princes can be any leaders of those political groups, and armies can be the armed elements of those political groups. A literalist reading of Clausewitz would be as unwise as a literalist reading of Plato or Aristotle and saying their writings do not apply to the modern world because we are no longer city-states. A non-literalist exegesis of On War easily provides for the incorporation of non-state war into Clausewitz's thesis. As a last point on non-state actors, Long indicates that these offspring of globalization are driving this need for a new definition of war and yet her new definition specifies that means required are to bring about "sufficient adherence to a nation's will." This suggests that only nations have wills or that the means of war could only be used to achieve national wills. Ergo, only nations can be at war. I suspect that non-state actors would like to know how to label their activities if "war" is closed to them.

The world and the nature of the interactions of its politically organized inhabitants have not changed so much in the past 11 years as to require a new definition and view of war. Lt Col Long's proposal is at the same time both too inclusive and too restrictive and is based on this perceived change in human activity. To call activities beyond the use of force towards political ends threatens to create the view of a Hobbesian international order. The world is bleak enough without calling all state activities "war," nor is it helpful in understanding what war actually is. I assume that Long intended to broaden the focus of state activities to combat terrorism to include activities not traditionally within the purview of war, i.e., the combat. The problem with this intention is that it attributes to war activities that, while possibly conducted in support of war, are intellectually, scholastically, and philosophically outside of war. Activities we engaged in, in support of war and as elements of other means, long before 9/11. As such, Lt Col Long's proposed definition does not help us understand war or how to wage it and that Clausewitz's definition continues to serve us well.

Monday, August 13, 2012

Stars Earn Stripes: bad TV, worse morality UPDATED

This is your fault America. When television producers were looking to cut costs and introduced low-budget fare to the public in the form of reality television, you gobbled it up. It did not matter how asinine or offensive the show was: Operation Repo, Jersey Shore, Undercover Boss, Toddlers and Tiaras. The dumber the better. Continuing this streak of crapulence, NBC is now subjecting us to Stars Earn Stripes, where eight celebrities, of varying quality, conduct dramatized military and law enforcement activities under the tutelage of former special operators and SWAT officers as well as today's least-liked graduate of Hudson High School for Boys (my alma mater), retired General Wes Clark.

I will not critique the show in the usual sense (the L.A. Times and Washington Post have already done so), mainly because I refuse to watch this nonsense. There has been, however, push back against the show because many feel that it glamorizes war and treats it as sport instead of the serious, deadly business that it really is. From a petition making its rounds on Twitter today, the leftist activist group RootsAction wrote the following to NBC:
Your entertainment show "Stars Earn Stripes" treats war as sport. This does us all a disservice. We ask that you air an in-depth segment showing the reality of civilian victims of recent U.S. wars, on any program, any time in the coming months. 
Their assertion is not incorrect - Stars does treat war as sport which is the greater of two disservices to the public (the other being the quality of the entertainment they provide). As a veteran who has seen war as closely as one can, I think that Todd Palin jumping from a helicopter is a far cry from earning stripes and can only be interpreted as the fetishization of war. (Aside: Where are all of you non-commissioned officers? I'm sure you did more than this nonsense to earn your stripes.)  In spite of this, Stars Earn Stripes seems comparatively benign to other forms of war glorification. These eight has-beens may shoot weapons at static targets, but compared to modern video games where war is literally a sport, albeit digital, this show seems delightfully archaic.

This is not to give Stars or NBC pass. They are using war and America's current trust, nay, love of veterans and the military to make profit for themselves and their shareholders. I find this morally offensive.  Yes, the winner of the show's competition gets $100,000 to donate to their veterans/law enforcement charity of choice. But how many dollars were spent producing this show? How much will ad revenue bring in? I suspect the profits of a prime-time show on NBC will exceed $100,000. Good on them for doing something for charity, but I think they could and should do a lot more.  If NBC were to contribute all of their profits to veterans charity, and I strongly suggest that they do, this show would cease to be a morally reprehensible source of entertainment. It would merely be a reprehensible source of entertainment, which is exactly what you all seem to clamor for anyway.

Update: As I think about why this form of profit-making from war is so offensive to me, vice other forms such as video games or war movies, I think it has to do with the fact that this show is purely profit-driven. Realistic video games show war as it is: bloody and cruel. Whether gamers choose to acknowledge this lesson potentially learned is not the fault (or even design) of the games' makers. But the lesson is there. Likewise, movies involving war generally have some sort of political message: to support the troops or protest a particular war or war in general. Stars Earn Stripes has no political message, it has provides no lens through which to learn more about the horrors of war. It is about the military and what they do being totally awesome and profiting from providing that viewpoint. In other words, it provides no utility to society except for those few making a buck off of the worst experiences mankind must endure. That is what makes this show so morally reprehensible.

Monday, June 27, 2011

Martin van Creveld: Keepin' it real

Over the weekend, SWJ ran an interview of Martin van Creveld (pdf) on the subject of his new book: airpower (including its often unmentioned limitations). His response to a question about "ugly victory" was particularly outstanding, and reminds us that even the "cleanest" victory in war is still ugly.
I am not sure what an "ugly victory" means. After all, what we are talking about is war; the most terrible activity known to men, in which people are deliberately perforated by bullets, crushed by overpressure generated by shells and bombs, shredded by flying metal fragments, buried alive under debris, burnt to cinders, asphyxiated (when chemical weapons are employed) and killed and wounded in a whole variety of other interesting ways.
I try always to stay aware of the horrific atrocity at the root of everything we talk about here, but it's good to be reminded. "The most terrible activity known to men." Don't forget that.

In a related story, today is National PTSD Awareness Day. Check out the link for the Veterans' Administration's list of ten ways to help increase awareness, and have a look at this eight-page pdf called "understanding PTSD."

Friday, April 23, 2010

As good as being there: Army War College Strategy Conference YouTube channel

Remember that conference where I was pal-ing around with Martin van Creveld? No? Well, me neither, or at least probably not as well as I should. Lucky for me, the Army War College has its own YouTube channel, complete with extensive video from the conference.

Some highlights:
  • Carafano craps on conference concept
  • Vlahos* acts like a total nut
  • Standard Hammes (which is always worth your time)
  • Nathan Freier, who I thought gave pretty much the best presentation of the conference

There's a lot of good stuff there, so take a look. I'm hoping to delve back into a few of these subjects in greater depth now that I've got this resource.

*Readers will no doubt be disappointed to note that this is Mike Vlahos (who is nuts), not Kelley Vlahos (who is not nuts, just contrarian, and also a little bit hot).

Wednesday, April 7, 2010

On Africa and gross oversimplification

Jeffrey Gettleman, the Africa Bureau Chief from the New York Times, has this ridiculous column on Foreign Policy's site. It's titled ''Africa's Forever Wars: Why the Continent's Conflicts Never End" and it features his usual drivel about senseless violence and the "baffling" nature of conflict in Africa.

I'll take a page from Texas in Africa and Derek Catsam--whose comprehensive criticism you should read--and paste the first two paragraphs to give you a preview.

There is a very simple reason why some of Africa's bloodiest, most brutal wars never seem to end: They are not really wars. Not in the traditional sense, at least. The combatants don't have much of an ideology; they don't have clear goals. They couldn't care less about taking over capitals or major cities -- in fact, they prefer the deep bush, where it is far easier to commit crimes. Today's rebels seem especially uninterested in winning converts, content instead to steal other people's children, stick Kalashnikovs or axes in their hands, and make them do the killing. Look closely at some of the continent's most intractable conflicts, from the rebel-laden creeks of the Niger Delta to the inferno in the Democratic Republic of the Congo, and this is what you will find.

What we are seeing is the decline of the classic African liberation movement and the proliferation of something else -- something wilder, messier, more violent, and harder to wrap our heads around. If you'd like to call this war, fine. But what is spreading across Africa like a viral pandemic is actually just opportunistic, heavily armed banditry. My job as the New York Times' East Africa bureau chief is to cover news and feature stories in 12 countries. But most of my time is spent immersed in these un-wars.

They don't have ideologies? They don't have political grievances or clear goals? There are no political dimensions to these conflicts? They're un-wars because the rebels don't want to take the capital? What planet does he live on? This kind of nonsense drives me up the wall. I'll spare you the rest of my rant.

Tuesday, April 6, 2010

So Martin van Creveld, T.X. Hammes, Andrew Bacevich, and Gulliver walk into a bar...

I'm hitting the road in a couple of hours for scenic Carlisle, PA, where I'll be attending this awesome-looking conference at the Army War College.

The DC conference circuit can get a bit stale, if not on account of the speakers then simply for the repetitiveness of the subjects. (As much as I enjoyed hearing him speak, I saw Dave Barno three times in two weeks last month. What's more, on two of those panels he was joined by some of the same folks.) I've never heard van Creveld speak, so I'm particularly looking forward to that part. And an old undergrad history professor of mine who has since hit the mainstream big-time is also speaking, so that should be a trip.

The broad subjects being covered this week -- "The Meaning of War"; "The Historical Context"; "How Do We Know When We're at War?"; "How Do We Know When a War is Over?"; "Who Participates in War?"; "What Rules Govern War?"; and "Why Does it [War, presumably, and the answers to these questions] Matter?" -- could each support entire blogs, so I'd imagine I'll have plenty to write about.

Anybody else going to this? Anybody else have suggestions about which is the most awesome Arby's in Carlisle/Harrisburg, or the optimal driving route from downtown DC?

Tuesday, September 8, 2009

Washington Times series on Congo and Rape

I don't normally read the Washington Times much but this headline today caught my eye as I was walking to work this morning: "Congo's shame: rape used as a tool of war." The Times (for our international readers, the Times is considered a right-wing newspaper here in Washington and it's not as well regarded as the Washington Post) is running a three day special on DRC--more specifically on rape as a weapon of war. The series is based on six weeks of reporting in the war-torn country.

I've read the first article and it's a pretty good introduction to the problem of rape in DRC. There's also a couple narrated slideshows/videos that you might want to watch/listen to (while the pictures are difficult, the narration/interviews can be rather graphic).

There's not really much to say except move coverage of this is a positive development. I think it's a good thing that a paper like the Washington Times is covering this because I suspect its readers aren't normally exposed to the reality of war in DRC.